# An orange dick pic in our face

- Link: https://www.ha-makom.co.il/post/shira-richter-newsweek
- Published: 2017-11-14T12:50:25+02:00
- Author: Haim Har-Zahav

Once again women get a dick shoved in their face without consent. This time by the
mass media. This time depicting women as cruel sadistic torturers.

[⌊שער ניוזוויק⌉⌊שער ניוזוויק⌉[

The cover of Newsweek

Let’s talk about visual literacy and visual harassment. I really don't like this
image and I'm not crazy about giving it more exposure, so let me explain why it 
represents the exact problem it is pretending to criticize. And why "missing the
point" is part of the problem. Social media in Israel, where I live, has also erupted
in wake of the tidal wave of sexual harassment stories coming out of both Israel
and the United States. In a facebook post on November 12^(th) 2017–

Dr. Shlomit Lir commented on some of the titles of the Op-Eds written in the Haaretz
daily and how they minimize the implications of the #MeToo campaign: a column fulminating
about the Occupation as the ultra-silencer reverted to whenever Israeli society 
tries to look inward at its own issues, titles of two opinion pieces that invoke
the fear of a witch hunt against men. Rather than acknowledging the social achievement
the campaign represents, they are emphasizing the fear. This image on Newsweek’s
cover also emphasizes – the fear. Whose fear is it? Who have the predators been 
throughout history? Who is hunting whom in these so called "work meetings?" What
about the women's fear? Fear of speaking. Fear of being punished. Where is the image
for the women's fear? All I have seen, year in and year out, are pictures of women
sitting in a corner covering their faces in disgrace. So we are left either with
cruel women or disgraced women.

This image represents an internal fear. Fear in the minds of one specific gender,
not the historic social achievement of another gender and caste. It doesn't represent
being freed from a long sentence of silence and shame. It doesn't represent the 
support women and others are giving each other now. It doesn't represent the courage
needed to stand up and face these indifferent soul murderers. It doesn't represent
the solidarity or the healing. This image represents cruel violence by an anonymous/
faceless  woman to disembodied ballooned male genitals, Once again we get a dick
shoved forcedly in our faces, (albeit a plastic one), this time by the purveyors
of mass media. What is this image saying?

If we take a moment to think back – this idea of castration-of harming a man's most
delicate organ – whose was it? Women's? Uh uh. The idea of castrating men, of hurting
male genitalia is the brainchild of other men. Of powerful male-bodied leaders. 
We find it in the fate of Chinese eunuchs, we find it in the historical practice
of male circumcision. It's an idea which belongs to strong men who want to keep 
their territory safe from the lust of other men. Or strong men wanting to prove 
they are strong men, and can survive the maiming of the most sensitive organ. In
other words, the issue is not about dicks, it's about power. It's about who is in
charge. For some reason this is associated in my mind to another image which just
surfaced in my facebook feed– posted by someone I truly respect in the Israeli art
world. The image is of a classic painting graphically showing a woman with a man's
decapitated head in her hands. Yuck. Who comes to mind? Isis, right? Is the timing
of uploading such an image a coincidence? I asked. Because, you know, of all the
art works available to choose from, this artistic image showing a woman's violent
cruelty towards a man – now? Really? In our minds this causes us to equate women
telling the truth about their lives to the cruel violence practiced by Isis. If 
we are going to use classical references – (Trigger) how about uploading the paintings
of the Inquisition shoving an exquisitely designed and blazing rod into a woman's
vagina? Why show a woman's violence toward a man at a time the price of male entitlement’s
violence is being finally exposed? How many heads of women were (symbolically) lost
in the work place because they opened their mouths to tell the story? Is anyone 
counting them?

Men’s fear is on the cover of the magazine. Not women’s achievement in creating 
an atmosphere that protects and validates vulnerable people.

The few times women appear in the classic history of art they appear through the
eyes of a man, a.ka.  "the male gaze". Either they are virgin naked Madonnas, (in
order to please the eye of the man looking at the painting), or they are cruel temptresses(
which express the male fear of being under their spell, because historically female
sexuality is the devil at work). Or they are kind mothers (no sex please, mothers
don't have sex). Or they are cruel cold-hearted murderers. Because these are the
stories that have been told by men in the sacred books. Just like today, powerful
male-bodied people ruled the communication technology – which at that time was writing.
And the painters painted the stories told in these books. Because religion dictated
the content, because religion ruled the money. And artists worked for those with
the money. [Women artists hardly appeared in the white European history of classical art](http://www.artnews.com/2015/05/30/why-have-there-been-no-great-women-artists/).
Women who do appear in the history of art usually came from rich and well-connected
families. They painted what the rich audience wanted them to paint, in other words,
what the male body wanted to see.

Newsweek’s cover is an extension and continuation of the harassment. It's visual
harassment. It shows how far we are from understanding the meaning of [the identity of the gaze](https://www.shadyladiestours.com/feminist-concept-male-gaze/),
the meaning of the question –‘Who is looking’,  and the meaning of what thought 
system and what set of values are imbedded in the interpretation. The Newsweek image
demonstrates what intellectuals have named – "a phallocentric culture"- implying
the strange idea that the world revolves around the male organ. The phallus. Is 
sexual terrorism connected to a phallus? No. It's dependent on power, status, and
standing. It's connected to who has power over whom. The image I would have preferred
to see on the cover of such a mighty magazine might be – the breaching of the dam
on the mouths of millions of women. An escape from a thousand-year ghetto. Release
from a heavy burden. Freedom from the isolation of the dungeon. Suggestions for 
images that are appropriate will be accepted with joy. 

**_Shira Richter is a feminist artistivist and visual speaker_**

### שתף

 * [  X ](https://www.ha-makom.co.il/post/shira-richter-newsweek?share=twitter)
 * [  פייסבוק ](https://www.ha-makom.co.il/post/shira-richter-newsweek?share=facebook)
 * [  Reddit ](https://www.ha-makom.co.il/post/shira-richter-newsweek?share=reddit)
 * [  Telegram ](https://www.ha-makom.co.il/post/shira-richter-newsweek?share=telegram)
 * [  WhatsApp ](https://www.ha-makom.co.il/post/shira-richter-newsweek?share=jetpack-whatsapp)
 * [  הדפס ](https://www.ha-makom.co.il/post/shira-richter-newsweek#print?share=print)
 * [  דואר אלקטרוני ](https://www.ha-makom.co.il/post/shira-richter-newsweek?subject=%5B%D7%A8%D7%A9%D7%95%D7%9E%D7%94%20%D7%9E%D7%A9%D7%95%D7%AA%D7%A4%D7%AA%5D%20An%20orange%20dick%20pic%20in%20our%20face&body=https%3A%2F%2Fwww.ha-makom.co.il%2Fpost%2Fshira-richter-newsweek&share=email)

### אהבתי

אהבתי טוען...
